Showing posts with label literary fiction. Show all posts
Showing posts with label literary fiction. Show all posts

3/16/2013

Seven Types of Ambiguity Review

Seven Types of Ambiguity
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I think the last time I was so impressed with a novel was when I read David Mitchell's "Ghostwritten". This was published at the very end of 2004 and for me it's the best of last year and probably this year as well. Billed as "an epic novel about obsessive love in an age of obsessive materialsim", the basic thrust of the story is about a man who never having gotten over a woman who left him ten years before, kidnaps her son.
The brilliance of the novel is in it's construction. The book is segmented in seven parts, each narrated by a different player in the unfolding drama with sections and scenes overlapping in a 'Rashomon' like narrative. The only criticism I have with the book echos other reviewers, that many of the characters voices are similar. They all seem cut from the same Mensa cloth,being incredibly insightful,bright,and in tune with the human condition regardless of age, sex, or social standing.However as criticisms go, it's a small one, and one that doesn't detract from the awesome magnitude or scope of what I think is a phenomenal piece of literature.

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1/24/2013

Ninety-two in the Shade Review

Ninety-two in the Shade
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When I'm reading a McGuane novel, I have to remind myself that we are dealing here with a writer on another plane altogether. Someone so immersed in his art that to expect 'normalcy' in terms of language, plot, characterization -- the things we've become comfortable reading and reacting to -- is like expecting Picasso to do paint-by-number. It's just not how McGuane operates. And it works for me just fine. Take, for example, 92 in the Shade: A journey of personal discovery framed within a classic Hollywood-Western plot that just so happens to take place in a small community of Key West fishermen. It is the tragic story of Thomas Skelton, a biologist-turned-fishing guide who finds himself increasingly unable to cope with the deliquescence of his version of America: A landscape, Skelton laments that is gradually becoming nothing more than "Hotcakesland" -- a vague but effective reference to Big Business, greed, and mass-marketeering at the expense of the individual. (In his case, literally.) The story is populated by a wealth of eccentric characters who represent a cross-section of Americana. McGuane throws in just about every Type in the encyclopedia of the American Myth--cowboys and outlaws, sex-starved cheerleaders and cut-throat entrepreneurs to name but a few. This may sound hokey, but as depicted by McGuane the eccentrics are smoothly knit into the narrative, lending it a heightened sense of farce while, as with all stereotypes, maintaining a tiny kernel of truth. Written in McGuane's unique virtuoso style where technique and voice are numero uno, the plot of "92" fits - surprise! -- into well-defined story arcs. It's as if the normally disjointed rhythm of a McGuane story was forced to follow the same type of inevitable death march that Skelton is drawn into by his down-on-his luck alter-ego, Nichol Dance. In typical McGuane style, his protagonist is challenged to take his own unique path to salvation with a variety of outlandish and often hilarious wolves nipping at his heels. The high-noon-showdown ending is delicately built, although its conclusion remains (appropriately) anticlimactic. With all that's going on here, you never lose track of Skelton's personal struggle to 'do what he ought.' While his laments on the state of 'the Republic,' may seem dated or even annoying to 90s-boom-time readers, Skelton himself remains a likeable enough guy. We want him to win out, and in that sense McGuane remains conventionally grounded. With all the political and social overtones here, this is basically a story of personal rather than national morals. "Live free or die" is, in the end, a personal standard. This all works well enough in "92," but what really raises the novel above and beyond its dimestore plot and Freeman politics is McGuane's humorous and intellectual narrative style. There's a smile on every page and a surprise in every paragraph. Someone once said McGuane invented his own literary genre. I don't know if that's true. I summarize it this way: He wraps the sublime in the ridiculous and delivers it in a witty, smart package. When it works, it works very, very well.

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Set in Key West--the nation's extreme limit--this is the story of a man seeking refuge from a world of drug addiction by becoming a skiff guide for tourists--even though a tough competitor threatens to kill him.

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11/29/2012

A Matter of Degrees Review

A Matter of Degrees
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How many conspiracy theories can one story accommodate? It seems that answering that question was one of Alex Marcoux's major objectives in writing the book.
A Matter of Degrees brings back Marcoux's heroine Jessie Mercer, a novelist who has the gift of precognition. Jessie often finds that she writes a story and then it comes true, with her in a starring role. This time, Jessie's brother Steve, a news reporter, is working with a colleague on a story about the Freemasons and their connections to other secret societies supposedly cooperating for world domination when he suddenly dies. The police believe it is suicide, but Jessie isn't sure about that, especially when incidents from her brother's life begin to mimic what is in her most recent story. She decides to assume a disguise as a man and find out what happened to her brother by becoming a Thirty-third Degree Mason. As the story unfolds, Jessie finds herself dealing with the Freemasons, the Council on Foreign Relations, the Trilateral Commission, the Bilderbergers, the Roman Catholic Church, a story similar to the premise of The DaVinci Code, and flashbacks to a previous life in ancient Egypt. Even the Secret Service is portrayed as a surreptitious hit squad used to enforce the leader's wishes. She has to contend with all of this while she disappears from her own life for almost a year and keeps her lover songstress Taylor Andrews, who is on a world tour, from finding out what she is doing. The ending of the story culminates with a totally different conspiracy and puts Jessie in danger of losing her life.
A Matter of Degrees however stretches creditability well beyond the breaking point. The book has a slow start, perhaps because Marcoux lays a foundation based on the idea that all of the conspiracy theories in world history, including various assassinations, are not only true, but connected in a confusing pattern created by the people who really control the world. One conspiracy might seem logical; maybe two if the reader chooses to believe the current theory that says secret societies are linked in the New World Order. After a while though there are so many theories and suspicious circumstances that occur with no one being the wiser that it becomes impossible to accept the premise of the book. The end of the book is somewhat flat and predictable. A character that has been omniscient for thousands of years doesn't have the ability to see what is going to happen next. A Matter of Degrees is proof that more complex does not mean the story is better.


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This is a spellbinding new lesbian conspiracy novel in the mould of the "Da Vinci Code". Novelist Jessie Mercer has always had the gift of precognition. Shortly after she conjures up the idea for her newest book, she is drawn into a web of conspiracy, intrigue and murder. For Jessie's story, it turns out, began in ancient Egypt and has woven its thread through the tapestry of human history - only to come to an astonishing climax in modern America. In "A Matter Of Degress", Jessie meets Rachel Addison, field reporter for a respectable television news magazine. Rachel, involved in a controversial project that connects secret societies with well-known politicians, receives a warning in no uncertain terms to drop the project and forget the story. Then, her car's brakes are sabotaged and she is nearly killed. And, Jessie's brother Steve - another reporter on Rachel's show - is murdered, yet the police seem determined to rule his death a suicide. Rachel wants to back away from the deadly mystery, but for Jessie the desire to investigate is impossible to overcome.As Jessie struggles to solve the riddle and blow the conspiracy apart, the ancient secrets she discovers draw her further and further into a trap set centuries ago. The answers are there - it's up to her to uncover them. Fans of Alex Marcoux's previous novels "Facades" and "Back to Salem" will be enthralled by this spellbinding new novel, which heralds the return of her well-loved characters Jessie and Taylor, along with high-powered talent agent Sidney Marcum.

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11/08/2012

Degrees of Elevation: Short Stories of Contemporary Appalachia Review

Degrees of Elevation: Short Stories of Contemporary Appalachia
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The world has changed, but Appalachia still has its traditional charm. "Degrees of Elevation: Short Stories of Contemporary Appalachia" is a collection of short stories edited by Charles Dodd White & Page Seay, as they bring readers an assortment of stories that present the Appalachian brand of Americana through the eyes of many different writers. Poignant and intriguing work sure to offer much food for thought, "Degrees of Elevation" is a recommended and excellent collection.


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16 stories of Appalachia today by some of our top writers. This collection brings us into the present with its struggles and beauty. Human character remains strong in these stories of life in Appalachia. Writers include: Rusty Barnes,Sheldon Lee Compton, Jarrid Deaton, Richard Hague, Silas House, Chris Holbrook, Denton Loving, Mindy Beth Miller, John McManus, Jim Nichols, Valerie Nieman, Chris Offutt, Mark Powell, Ron Rash, Alex Taylor, Crystal Wilkinson

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