Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

3/20/2013

Real Education: Four Simple Truths for Bringing America's Schools Back to Reality Review

Real Education: Four Simple Truths for Bringing America's Schools Back to Reality
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Charles Murray has written a brilliant analysis of the shortcomings of current American education, both K-12 and postsecondary. First among the problems he singles out is the pervasiveness of a mind-set he calls "educational romanticism." Educational romanticism takes as realism the Lake Wobegon fantasy, the notion that all children are above average. Consequently, its advocates tell the young, in smarmy Edgar Guest fashion, that there is nothing beyond their ability if only they try hard enough. Murray subtly points out the unintentional cruelty in this practice of encouraging overparted children to repeatedly set themselves up for failure. As an antidote, he suggests we accept the existential truth that schoolchildren are not equal in talents and abilities, that some are more gifted than others in the most important areas for academic futures, language skills and math ability. Such differences, he readily concedes, do not make one necessarily a better person, but they surely make one a better scholar and thus a more logical candidate for university attendance.
Second, he argues that half of all children are below average. While he concedes each child should have full opportunity to develop his abilities to the utmost, Murray recognizes that no documentation exists which would support the current educational establishment's wishful thinking that it can significantly alter a student's low ability, whether through more money spent, revised pedagogy, or better teacher training. He is similarly dismissive of the government's and politician's hysterical optimism which has produced such absurdities as "No Child Left Behind."
For the improvement of K-12 education, he favors the junking of current "self-esteem" practices and empty encouragements to "creativity,", replacing them with a rigorous core curriculum such as E. D. Hirsch's which imparts lessons in culture and good citizenship. Murray also favors the return of high school tracking, with a revalorization of vocational studies and a return of respect for those frequently skilled students who choose to go into such rather than prepare for college. He is of the opinion that far too many people are pushed toward college these days, and far too often for highly questionable reasons.
Murray accepts the idea of an unelected elite, one not dependent on birth or wealth, some of whose members invariably wind up running the country. They are the power brokers in the big corporations, the media, the universities. Most of them are drawn from what he designates as the academically gifted, most of whom have had university training. But even here, Murray presents a caveat. This elite may be smart, but these days neither its members, nor its professors, are usually wise. The best that has been thought and said, given the elective system, is all too often missing from such students' university education. "Rigor in forming judgments," "Rigor in thinking about virtue and the Good" have been replaced by professorial canon bashing, contempt for "Dead White Males," and parochial obsession with matters of race, ethnicity, and gender.
Happily, Murray does not follow his lethal analysis with an plea of impotence. He confesses to long-term, if not short-term, hope for improvement. A necessary return to reality he expects will start with parents taking responsibility and increasingly making the right educational choices, choices in the direction of charter schools, home-schooling, CTE schools - whatever may best suit the talents and abilities of their particular children. At the university level, professors will surely tire of post-modern sophistry and realize they can ignore Plato, Aristotle, Kant, Beethoven, Bach, Mozart, Michelangelo, Da Vinci, Rembrandt, Shakespeare, Homer, et.al. only so long. In Murray's inspiring words, "the greatest work must ultimately come back into scholarly fashion."

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2/28/2013

1st to Die: A Novel (Women's Murder Club, No 1) Review

1st to Die: A Novel (Women's Murder Club, No 1)
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Author James Patterson gives book series psychologist cop Alex Cross a breather and lets four professional women, dubbed the 'Women's Murder Club,' track down a psycho killer of newlyweds. Led by homicide inspector Lindsay Boxer, the women (a reporter, a medical examiner and an assistant district attorney) leverage their respective expertise to decipher the clues of the gruesome nuptial slayings. The ad hoc women's club also becomes a support group for each other on issues of work, family, romance and illness. Lindsay Boxer, in particular, battles to balance a blood illness, a new beau, and her passion to solve the murders.
When the case is finally nailed down to the Club's satisfaction, it becomes unglued as Lindsay becomes unsure as to the real killer. Another search for the truth leads to a surprise ending, as well as to the meaning of the novel's title.
The author's risk to try something new seems to have succeeded in this novel. The 'Club' characters are likeable, enduring and memorable, just as those in the Alex Cross episodes. Maybe a strong '2cd' book series from James Patterson will benefit the '1st' series by keeping it fresh and novel.

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2/18/2013

Sex180: The Next Revolution Review

Sex180: The Next Revolution
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We had a conference at our Church that was based partly on this book, I was very impressed with the conference and so was my 15-year old son. So much so, that the minute we got home I ordered the book, not only for my son but for my teenage niece and nephew.
My sister said that she couldn't get my niece and nephew to read anything, that I had just wasted my money. Boy, was she surprised! Not only did they read it, they couldn't put it down! Neither could my son.
Now, I have to admit that I have not read the book, I have just flipped through it. But, I know that the book has made a difference in the way the kids think about pre-marital sex and waiting. They more clearly see the positive things that come from waiting, and aren't so worried about peer pressure. I wish I had had this book when I was a teenager!
Every adolescent should read this book, it is very direct and talks about almost every aspect of sexuality that is out there, every day, in front of our children. They are surrounded by sex, it's in movies, music, television, radio, school and church, isn't it time they see it from a different perspective, not one swayed by ratings and childish notions.
BUY THIS BOOK AND HAVE EVERY TEENAGER IN YOUR LIFE READ IT!


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Young adults are fed up with our sex-saturated culture. They realize that there's more to sex than what the media feeds them, and they realize that there's more to responsibility that "just wait until you're married." Youth want to have God's perspective. Not only that, they want to show their peers there's a better way to relate to the opposite sex. It's time for a revolution. A 180-degree turn is underway.Sex 180 is a guide to that revolution. It's more than a book that preaches abstinence before marriage. Sex 180 shows teens what's wrong with the way people talk and think about sex and challenges them to think differently. With solid biblical teaching, interactive sidebars, and real-life stories, teens, parents, and youth leaders will start to think about sex in a whole new way.

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11/15/2012

The First Degree Review

The First Degree
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Mr. Hillary's first novel is a trip, literally and figuratively. He takes the reader on one of the most bizarre science fiction stories imaginable with a tale infused with alien invasions, time travel, Korean martial arts, strong religious discussions, and artificially intelligent cars. In this battery of themes and overtones readers may at first feel it would be impossible for an experienced author, much less a first-time novelist, to pull off a good story. Yet, Mr. Hillary does just that with "The First Degree."
Despite some pitfalls, it is a novel worthy of reading. The primary reason why is for Mr. Hillary's sere creativity and sense of adventure. In essence, the book has a little bit of something for everyone and a great conclusion that satisfies the reader and sci-fi conventions.
Reviewer's Note: A full review is being sent to major martial art periodicals in hopes of future publication.
Disclaimer: The reviewer received the book from Dorrance Publishing as part of their "Get Free Books - Dorrance Book Review Team." Also, the reviewer (John A. Johnson) and Mr. Hillary share the same Taekwon-Do master and are, in the reviewer's hopes, good friends. None of the above, however, has influenced this review.


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Demetrius Adrien, a normal suburban father and husband, becomes a time- and space-traveling hero when he is coerced into a dangerous mission by a mysterious race known as the Friendlanders. As Demetrius learns about the nature of humanity and the rest of the universe through intergalactic battles and martial arts, we also see how important the forces of God and family are in driving our lives.

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11/09/2012

Mischling, Second Degree: My Childhood in Nazi Germany Review

Mischling, Second Degree: My Childhood in Nazi Germany
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I must admit, I have not read this book for many years, in fact, not since I was in the third grade. A rather insightful teacher assigned me this book, and it has profoundly enriched my understanding of the holocaust, evil, and human nature, by allowing me to see a humanized portrait of NAZI society at a very early age. As I have been raised Jewish, I have been nearly bombarded with information about the holocaust from a Jewish perspective (not that I regret this). However, I feel that we can only come to understand such a great evil if we understand that its perpetrators were as human as its victims, motivated by the same kinds of fears, hopes, false rationalizations, etc. that in some small way motivate every human being from time to time. This book is an excellent way to introduce this humanizing element to a young reader, and it helps to make sense of a senseless event in our history.

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The memoirs of a German girl who became a leader among the Hitler Youth while her Social Democratic family kept from her the secret of her partial Jewish heritage.

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11/03/2012

Third Degree (Murder 101 Mysteries) Review

Third Degree (Murder 101 Mysteries)
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I really like the Murder 101 series, but this is my least favorite book in the series. The characters and their relationships seemed flat. Alison and Crawford are on the verge of getting married, but there is no spark between them. Max, who should be a larger-than-life character, was a wisp of her former self. Kevin was involved in a bizarre sub-plot that went no where, and he couldn't be counted on for much of anything, and Fred was basically comatose. If I hadn't been invested in these books and the characters, I probably would not have finished this book. In future books, I hope that Alison and Crawford will get their chemistry back and that Alison will investigate murders for which there is at least a slightly plausible reason for her to get involved.

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11/02/2012

Writing Degree Zero Review

Writing Degree Zero
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*Writing Degree Zero* is one of those 100-page books you need a 500-page book to really understand. You know you're in trouble when, like me, you find yourself having a problem fully comprehending even the `explanatory' preface. In which, by the way, Susan Sontag warns of the difficulty of the text and states that *Writing Degree Zero* serves as a kind of précis of Barthes' early views that presupposes the reader's familiarity with the literary argument of the time, specifically as it was presented in Sartre's book on the subject *What is Literature?*
That all said, there was still much that I found of interest in this slim volume. The main thrust of the argument seems to be the `impossible' dilemma inherent in the act of writing. And, by `writing,' we mean here the act at its highest level of intent. How, for instance, can the writer compose an authentic text when the very tools he's forced to use--the conventions of language and Literature--are those that belong to a tradition he had no part in choosing, let alone creating? How can he write a text socially and historically engaged in the present when this tradition is handed to him from the past? How can he avoid slipping into cliché, commercialism, and sloganistic propaganda, all pitfalls of the present, and yet still make himself understood and relevant to his time?
Barthes makes much of the distinction between speaking and writing, the former more genuine than the latter in his view, inasmuch as speech is less bound by `Order,' which is, by its very nature, always closed and authoritarian. Yet all attempts to convert the idiosyncratic, free-form rhythms and authenticity of speech into text ((as in the works of Celine)) remains, in the final analysis, when written, artifice.
What's a writer to do? Barthes advances the notion of `modes of writing,' a conscious attempt on the part of the writer to approach the act of writing by first choosing from among various strategies of presentation. He also speaks of a `neutral' manner of writing, `degree zero,' but he's quick to point out that this can also degenerate into a mere mannerism and, in its turn, become just another literary convention to escape. It seems to me that Barthes is saying that a writer is trapped, like a rat in a box, condemned to chasing its own tail. Perhaps the only possible escape is for a writer to constantly switch `modes of writing,' to invent new ones for every utterance? Well, that's my own solution, but if Barthes thought it were as simple as that, you'd think he would have said so, right?
Besides, what do I know? I think I was practically making up my own theories as I went along in trying to understand what I was reading.
Abbreviated, dense, and elusive as it might be, as intellectually handicapped as I might be, *Writing Degree Zero* is so full of intriguing insights and lines of thought that even understanding maybe one-third of it, I felt it was time well spent. It has certainly inspired me to read further into the ideas of this paradoxical theoretician.


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In his first book, French critic Roland Barthes defines the complex nature of writing, as well as the social, historical, political, and personal forces responsible for the formal changes in writing from the classical period to recent times.

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